Based in London, Ben is often brought in on projects that involve scale, complexity or crossover between formats. He works closely with directors and producers from early creative development through to final delivery, helping establish musical language early and supporting long timelines with clarity and consistency. His approach balances expressive, thematic writing with a practical understanding of production realities.

Ben’s recent work includes additional music, arranging and orchestration on Goodbye June, the directorial debut of Kate Winslet; song arrangements and lead orchestration on the upcoming animated feature The Land of Sometimes; and co-composition on the independent feature The Upside of Unrequited, due for release in 2026. His wider credits also include music production and orchestration for Disney’s The Castle, orchestration on Mission: Impossible – Dead Reckoning, Argylle and Luther, and additional orchestration on Wonka.

Across these projects, his writing moves comfortably between orchestral scoring, song-led material and more minimal or textural approaches, always shaped by the needs of the story rather than a fixed musical palette.

His background also includes extensive experience in live and immersive productions, with orchestration and arranging credits for arena and stage works including Jesus Christ Superstar, The Phantom of the Opera, Starlight Express, The Wizard of Oz and Love Never Dies. This work has informed a collaborative, systems-minded approach that translates naturally to animated features and other long-form formats.

Ben records regularly at major London studios and works internationally. He is a member of BAFTA Connect, the Ivors Academy and the Society of Composers and Lyricists, and supports initiatives that promote greater equity within the industry.