Originally from South Africa, Chantelle moved to the UK in 2006 and has been working with Air-Edel since 2008, when she joined them for a three-month work placement in her third year at the Liverpool Institute for Performing Arts.

In 2011, she began assisting Maggie Rodford on the music supervision of projects, including Brave, Anna Karenina, Parade’s End and Hummingbird. From 2012, she started supervising her own productions, including Bill for Cowboy Films, the BBC drama series Jonathan Strange and Mr Norrell, and two Julien Temple documentaries, London: The Modern Babylon and The Ecstasy of Wilko Johnson, as well as working as an agent for the Air-Edel roster of composers.

She has recently supervised the upcoming Sky series, Amadeus, overseeing all musical aspects from pre-production through to post, including on-set and new recordings of classic Mozart works. Other recent credits include Berlinale premiering Honey Bunch, the Italian Fremantle series for Amazon Veleno, Uberto Pasolini’s Nowhere Special, New Pictures’ Catherine the Great, Outlaw King for Netflix, and BAFTA Scotland Award winning Nae Pasaran. Her current role at Air-Edel extends across all aspects of the company, including the company’s publishing catalogue and the record labels, Air-Edel Records and Besant Hall Records.

Chantelle also worked at UK broadcaster Sky as a Music Licensing Executive, where she cleared music across a range of advertising campaigns and television productions including Riviera, Bliss, and the natural history series Dogs. An Amazing Animal Family.

Chantelle is a member of BAFTA, the World Soundtrack Academy and the UK & European Guild of Music Supervisors.