It’s available to pre-order digitally and on limited edition pollination splatter vinyl.

While the original album was all ornate avant-garde folk and psychedelic explorations, this new take is as hard-hitting as it is heavenly, as beat-driven as it is beautiful. It is stunning and, crucially, it finds Dot re-embracing the electronic music with which she first made her name in One Dove.

“I think electronic music will always be a key part of my music-making DNA,” she explains. “I see all instruments as possibilities with which to voice ideas – whether the sound source is from vibrations or a voltage, I don’t really see any limitations or rules.”

“I’ve never remixed an entire album before and was keen to make it work as a standalone piece with a vibe of its own,” says Lomond of his approach. “It amazes me how much grime, distortion and dense sound you can throw at Dot’s voice, yet it remains so bright and salient.”

“I love that he has created wild universes around the elements he has chosen to retain in the various songs,” concludes Dot. “It reminds me of working with Andrew Weatherall in a way, where the mixes were bold and reinventive departures.”