Nathan Klein is a young composer and orchestrator who is rapidly making his mark in settings ranging from the National Theatre and BAFTA nominated television series, to Golden Globe- nominated feature films and commercial campaigns for International Brands.
Nathan’s debut feature film ‘Butterfly Kisses’ premiered at the 67th Berlin International Film Festival and won the Crystal Bear Prize for Best Film. The jury agreed that the film was ‘propelled by the rhythm of its powerful soundtrack’, and Nathan’s score garnered particular critical acclaim in Peter Bradshaw’s review for the Guardian.
Nathan’s recent work includes composing additional music and arranging and orchestrating the score for BAFTA-nominated Haifaa al Mansour’s ‘Mary Shelley’, starring Elle Fanning and Douglas Booth. Nathan also orchestrated and coordinated the music for Guy Ritchie’s film ‘King Arthur: Legend Of The Sword’, working closely with the composer Daniel Pemberton.
Nathan’s other orchestration credits include BBC series ‘War and Peace’ (BBC Wales/ Weinstein Company), the Golden Globe-nominated score to Danny Boyle’s ‘Steve Jobs’ (Universal Pictures), Golden Globe-nominated ‘Gold’ (Black Bear Pictures), the British television series ‘Victoria’ (ITV), Nicole Garcia’s ‘From the Land of the Moon’ (Studio Canal), ‘Welcome to the Hartmanns’ (Warner Bros. DE), the film adaptation of Stephen Fry’s ‘The Hippopotamus’ (The Electric Shadow Company) and ‘Felt’ (Scott Free Productions/Universal Pictures).
Nathan also recently composed the score to feature film ‘What Nobody Can See’ from Ego Media and the National Film Centre of Latvia. Recorded by the Riga Sinfonietta, the score is a contemporary blend of string orchestra and electronics to accompany the gripping psychological thriller. Highlights of Nathan’s music for short film are ‘Rumble’ with BAFTA- nominated Blindeye Films, recognised by festivals worldwide, and ‘Spitball’ in partnership with Northern Ireland Screen.
In the realm of theatre, Nathan was nominated for an Off West End Award for his work on ‘How I Learned to Drive’ at the Southwark Playhouse. For Peter Shaffer’s ‘Amadeus’ at the National Theatre he orchestrated Simon Slater’s original music and arranged Mozart’s music for the Southbank Sinfonia.
Nathan has particular experience in developing music for new writing, having composed for Phoebe Eclair-Powell’s ‘Fury’ at Soho Theatre, Max Gill’s ‘La Ronde’ at the Bunker Theatre, Nina Raine’s ‘Before You Were Born’ at Trafalgar Studios and ‘Dry Land’ at Jermyn Street Theatre. Past work for stage has also included productions at the Nuffield Theatre, The Oxford Playhouse, the Tokyo Metropolitan Arts Theatre and Yvonne Arnaud Theatre.
Combined with a talent for studio composition and sound design, Nathan’s classical training and double first class degree in Music from Oxford University makes him a truly versatile composer able to collaborate on a wide range of creative projects.
Based in London, Nathan holds duel British and American Citizenship.